Showing posts with label Maruyama Okyo. Show all posts
Showing posts with label Maruyama Okyo. Show all posts

Monday, 31 December 2018

Happy 2019 - Year of the Boar

 Old Boar in the Snow by Konoshima Okoku


Even a wild boar
With all other things
Blew in this storm
  Matsuo Basho

The boar (inoshishi) symbolises courage, strength, energy and single-pointed focus. While this was admired, inoshishi-bushi – warriors who charged blindly into the fray – were criticised for their inflexible approach.
During Yoritomo's hunting party at the foot of Mt. Fuji, Nitta Shiro Tadatsune kills a gigantic boar by Kitao Shigemasa (Courtesy of Boston MFA)

Boars were key elements in several well-known stories: Nitta Shiro Tadatsune leapt on the back of a giant boar that was wreaking havoc in the shogun Yoshitomo's hunting party, killing it with his short sword. (He was arrested and executed soon after by Yoshitomo – this was seen as a result of killing what was seen as a local god/spirit).

Yamamoto Kansuke Killing a Boar  by Shuntei (ArtofJapan.com)

Yamamoto Kansuke, military advisor to Takeda Shingen, was famously lame (and blind in one eye) as the result of a fight with a large boar. This was a factor in his rejection by the fastidious Imagawa Yoshimoto; he later turned to Shingen for employment, in whom he found someone who saw his true value.

Boar A quick sketch by Maruyama Okyo

One last story is about the painter Maruyama Okyo, who was famous in his day for drawing from live subjects. One day, he showed an acquaintance a picture he had just done of a sleeping boar. His friend praised him for depicting a dead boar so accurately. Okyo was a bit put out by this, so he went back the next day, only to find that it was infact a dead boar that he had drawn.

Wednesday, 31 December 2014

2015 Year of the Sheep – no, Goat – no, Sheep – 羊


Zhao Mengfu ca1300 Courtesy of the Freer Sackler Galleries
The inscription out of shot on the left runs:
"I have painted horses before, but have never painted sheep [or goats]. So when Zhongxin requested a painting, I playfully drew these for him from life. Though I cannot get close to the ancient masters, I have managed somewhat to capture their essential spirit."

The New Year rolls around again and here in Japan 2015 is the Year of the Sheep, or perhaps the goat. Neither sheep nor goats have a long history in Japan, so as the same character, [羊] which is used for sheep, was used for goats in the past, there is obviously some confusion. Older sources quite clearly depict goats, but in the present day, sheep are more popular.

As the animals of the zodiac were adopted from China, and with no real chance for first-hand observation, it is not surprising that the goat has no strong associations in Japanese culture. Nor is it easy to find much visual imagery, particularly in association with the culture of the bush. Even among the weird and wonderful kawari kabuto (outré helmets), where horns and animal references abound, I could see no trace of sheep or goats.

Occasionally, they would appear as images in tsuba or other sword furniture, but they are rare. These two examples are from the Boston Museum of Fine Arts.
Soami School 

Nakahara Yukimitsu - Choshu School


A few painters, such as Maruyama Okyo  depicted them directly (see below), but this was quite rare.


Of course, they do appear in various depiction of the 12 animals (junishi) of the zodiac, and it is in this connection that they appear in both purely animal and anthropomorphic form.

The earliest example of the anthropomorphic goat that I have seen is in the Battle of the Twelve Animals Picture Scroll (Juniruikassen Emaki), the earliest version of which dates from the early Muromachi Period (Prince Fushimi Sadafusa apparently saw it in 1438). Possibly a political allegory, it tells the story of the sneaky tanuki who, after some dispute about who is to be judge for a poetry competition among the twelve animals, gathers his cohort (of bad animals, of course) who attack the noble 12 animals, only to be beaten and chased off to the mountains where he renounces the world and enters a monastery.
















The goat acquits himself well in the battle, it would seem, and escapes injury, unlike some of his compatriots.

Some 400 years later, Utagawa Kuniyoshi gives us more pictures of goats going about their everyday life,













as does another artist in this calendar from 1859:



















This is not so very far from an image somewhat closer to home, the Wise Old Goat in the Rupert Bear stories…













Anyway, Happy New Year for 2015!